{"id":815,"date":"2026-03-20T11:43:59","date_gmt":"2026-03-20T15:43:59","guid":{"rendered":"https:\/\/romeguide.hcc-nd.edu\/?page_id=815"},"modified":"2026-03-20T11:43:59","modified_gmt":"2026-03-20T15:43:59","slug":"church-of-santa-maria-della-scala","status":"publish","type":"page","link":"https:\/\/romeguide.hcc-nd.edu\/?page_id=815","title":{"rendered":"Church\u00a0of\u00a0Santa\u00a0Maria\u00a0della\u00a0Scala\u00a0"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"297\" height=\"297\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-662.png\" alt=\"\" class=\"wp-image-816\" srcset=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-662.png 297w, https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-662-150x150.png 150w\" sizes=\"auto, (max-width: 297px) 100vw, 297px\" \/><\/figure>\n\n\n\n<p>In one of Trastevere\u2019s quaintest and picturesque sectors lies&nbsp;<strong>Santa Maria della Scala<\/strong>, an early 17th century, devotional, Baroque church dedicated to&nbsp;the&nbsp;Blessed&nbsp;Mother.&nbsp;It&nbsp;houses&nbsp;a&nbsp;popular&nbsp;and&nbsp;highly&nbsp;venerated&nbsp;icon&nbsp;of&nbsp;the Madonna discovered originally on the staircase (Scala) of a house nearby. In 1849 the church served as hospital for the troops of Garibaldi defending unsuccessfully the regime of the recently formed Roman Republic (1848) which the year before had overthrown the papal government in the City.&nbsp;<\/p>\n\n\n\n<p>The&nbsp;church&nbsp;has&nbsp;a&nbsp;central&nbsp;dome&nbsp;with&nbsp;a&nbsp;tall&nbsp;lantern.&nbsp;Its&nbsp;<strong>large&nbsp;2&nbsp;storied<\/strong><strong>&nbsp;<\/strong><strong>fa\u00e7ade<\/strong><strong>&nbsp;<\/strong>dominates the tiny&nbsp;piazza&nbsp;in front.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"112\" height=\"222\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-663.png\" alt=\"\" class=\"wp-image-817\"\/><\/figure>\n\n\n\n<p>Above&nbsp;the&nbsp;main&nbsp;door&nbsp;is&nbsp;set&nbsp;a&nbsp;lovely&nbsp;<strong>sculpture&nbsp;of&nbsp;the&nbsp;Madonna&nbsp;with&nbsp;the<\/strong><strong>&nbsp;<\/strong><strong>child Jesus.<\/strong>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"178\" height=\"222\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-664.png\" alt=\"\" class=\"wp-image-818\"\/><\/figure>\n\n\n\n<p>The&nbsp;<strong>nave<\/strong><strong>&nbsp;<\/strong>has three bays and three chapels on each of the side aisles.&nbsp;There&nbsp;are&nbsp;also&nbsp;altars&nbsp;at&nbsp;each&nbsp;end&nbsp;of&nbsp;the&nbsp;transept.&nbsp;The&nbsp;sanctuary&nbsp;contains&nbsp;a high altar by&nbsp;<strong>Carlo Rainaldi&nbsp;<\/strong>over which is a free-standing baldacchino. In the apse of the choir behind the altar is painting of the&nbsp;<strong>Queen of Heaven&nbsp;<\/strong>by the&nbsp;<strong>Cavalier&nbsp;d\u2019Arpino<\/strong>, designer of the mosaics in the dome of St.&nbsp;<\/p>\n\n\n\n<p>Peter\u2019s.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"219\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-665.png\" alt=\"\" class=\"wp-image-819\" srcset=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-665.png 330w, https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-665-300x199.png 300w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><\/figure>\n\n\n\n<p>In counterclockwise order from the right side its chapels are: Chapel of St John the Baptist with an altarpiece by the accomplished Dutch painter Gerrit van Honthorst; Chapel of St Hyacinth; Chapel of St Joseph; Chapel of St. Teresa of Jesus (Avila);&nbsp;<strong>Chapel of Our Lady of the Staircase&nbsp;<\/strong>in&nbsp;the left transept whose altar holds&nbsp;the&nbsp;<strong>original miraculous icon<\/strong>;&nbsp;and three others,&nbsp;as&nbsp;well&nbsp;(the&nbsp;Crucifix,&nbsp;the&nbsp;Assumption, and&nbsp;that&nbsp;of&nbsp;Our&nbsp;Lady&nbsp;of&nbsp;Mount&nbsp;Carmel).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"229\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-666.png\" alt=\"\" class=\"wp-image-820\" srcset=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-666.png 349w, https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-666-300x197.png 300w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><\/figure>\n\n\n\n<p>The&nbsp;<strong>Chapel of St Teresa of Jesus in&nbsp;<\/strong>the right transept, dedicated to this the Spanish reformer, mystic, and foundress of the Order of Discalced Carmelites&nbsp;contains&nbsp;a&nbsp;<strong>relic of&nbsp;the her&nbsp;right foot<\/strong>. Another church on the other side of the&nbsp;City, Santa Maria della Vittoria, houses&nbsp;<strong>Bernini<\/strong>&#8216;s famous sculpture&nbsp;of&nbsp;her,&nbsp;<strong>The&nbsp;Ecstasy&nbsp;of&nbsp;St.&nbsp;Teresa<\/strong>,&nbsp;which,&nbsp;of&nbsp;great&nbsp;interest&nbsp;some art historians, gives great&nbsp;<strong>prominence to her left foot.<\/strong>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"168\" height=\"222\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-667.png\" alt=\"\" class=\"wp-image-821\"\/><\/figure>\n\n\n\n<p>Girolomo&nbsp;Rainaldi designed the&nbsp;<strong>Chapel of the Assumption&nbsp;<\/strong>which houses the altarpiece by Carlo Saraceni depicting the&nbsp;<strong>Death of the Virgin<\/strong>. This painting&nbsp;<strong>replaced&nbsp;Caravaggio\u2019s&nbsp;earlier,&nbsp;but&nbsp;controversial,&nbsp;version<\/strong><strong>&nbsp;<\/strong>of&nbsp;the same theme rejected by the friars who had commissioned it. They insisted that it lacked the proper decorum for a place of worship that, even worse, Caravaggio had used as its model the body of a prostitute drowned in the Tiber. Closer to the truth is the likelihood that the model was Caravaggio\u2019s mistress. The original painting eventually made its way to the Louvre in&nbsp;Paris.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"220\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-668.png\" alt=\"\" class=\"wp-image-822\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Pharmacy<\/strong><\/h2>\n\n\n\n<p>Adjacent to&nbsp;the church stands a 17<sup>th<\/sup>&nbsp;century&nbsp;<strong>pharmacy&nbsp;<\/strong>which preserves the original furnishings and equipment of the shop, now closed.&nbsp;It once supplied&nbsp;the&nbsp;papal&nbsp;court&nbsp;and&nbsp;survived&nbsp;as&nbsp;a&nbsp;business&nbsp;until&nbsp;1954.&nbsp;It&nbsp;remains&nbsp;now as a museum accessible to the public by appointment.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"139\" height=\"211\" src=\"https:\/\/romeguide.hcc-nd.edu\/wp-content\/uploads\/2026\/03\/image-669.png\" alt=\"\" class=\"wp-image-823\"\/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In one of Trastevere\u2019s quaintest and picturesque sectors lies&nbsp;Santa Maria della Scala, an early 17th century, devotional, Baroque church dedicated to&nbsp;the&nbsp;Blessed&nbsp;Mother.&nbsp;It&nbsp;houses&nbsp;a&nbsp;popular&nbsp;and&nbsp;highly&nbsp;venerated&nbsp;icon&nbsp;of&nbsp;the Madonna discovered originally on the staircase (Scala) of a house nearby. In 1849 the church served as hospital for the troops of Garibaldi defending unsuccessfully the regime of the recently formed Roman Republic (1848)&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-815","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=\/wp\/v2\/pages\/815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=815"}],"version-history":[{"count":0,"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=\/wp\/v2\/pages\/815\/revisions"}],"wp:attachment":[{"href":"https:\/\/romeguide.hcc-nd.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}